COMPOSERS
Danzas Españolas – Gaspar Sanz
Compuestas en 1674, estas danzas son parte de su obra más reconocida, "Instrucción de Música sobre la Guitarra Española". Sanz combina elementos del folclore español con técnicas de la guitarra barroca, creando piezas que son tanto accesibles como técnicamente desafiantes.
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Five Preludes for Guitar – Heitor Villa-Lobos
Between 1940 and 1945, Heitor Villa-Lobos composed five Preludes for guitar, works that today form one of the cornerstones of the universal guitar repertoire.
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Soleá – Julián Arcas
“Soleá” is a significant work by Spanish composer and guitarist Julián Arcas, who stood out in the 19th century for his contributions to both classical and flamenco guitar repertoire.
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Madroños – Francisco Torroba
“Madroños” is an iconic work by Spanish composer Francisco Torroba (1891–1982), a leading figure in 20th-century Spanish classical music. Composed in 1930, this piece reflects the rich folkloric tradition of Spain, blending evocative melodies with brilliant guitar technique.
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Adiós Nonino
“Adiós Nonino” is considered one of Piazzolla’s most iconic works, alongside “Libertango.” The composer himself described it as “the most beautiful piece I’ve ever written.”
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Milonga – Jorge Cardoso
“Milonga” is a captivating work by Argentine composer Jorge Cardoso, born in 1934. Composed in 1986, this piece blends the rich tradition of Argentine tango with the language of classical guitar, creating a vibrant and emotive musical dialogue.
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Secret Garden – Rolf Lovland
“Secret Garden” is a captivating work by Norwegian composer and pianist Rolf Løvland, known for his ability to blend classical elements with contemporary influences and evocative melodies. This piece, part of the repertoire of his musical duo Secret Garden, stands out for its lyricism and magical atmosphere, transporting the listener into a dreamlike world.
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En Los Trigales – Joaquin Rodrigo
“En Los Trigales” is a work by Spanish composer Joaquín Rodrigo, born on November 22, 1901, and passed away on July 14, 1999. Composed in 1961, this piece is part of his collection Cuatro Piezas Españolas. Rodrigo, known for his ability to blend elements of Spanish folklore with classical techniques, presents in this piece a soundscape that evokes the tranquility and beauty of wheat fields.
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Canción No. 6 – Federico Mompou
“Canción No. 6” is a work by Spanish composer Federico Mompou, born on April 16, 1893, and passed away on March 30, 1987. Composed in 1921 as part of his Canciones y Danzas cycle, this piece stands out for its lyricism and melodic subtlety.
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Mi Favorita – Daniel Fortea
“Mi Favorita” is a remarkable work by Spanish composer Daniel Fortea, born in 1882 and passed away in 1934. Composed in 1916, this piece is a clear example of the Romantic style that characterizes much of Fortea’s work.
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Danzas Españolas – Gaspar Sanz
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Five Preludes for Guitar – Heitor Villa-Lobos
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Soleá – Julián Arcas
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Madroños – Francisco Torroba
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Adiós Nonino
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Milonga – Jorge Cardoso
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Secret Garden – Rolf Lovland
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En Los Trigales – Joaquin Rodrigo
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Canción No. 6 – Federico Mompou
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Mi Favorita – Daniel Fortea
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Fuego
One of the most requested pieces by both flamenco and classical guitarists. Structured as a soleá por bulerías, it is conceived as a showpiece—perfect for an encore. It focuses on the use of natural harmonics, arpeggios, and rasgueados to embellish the melodic lines.
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Trianeira
Trianeira is a piece composed by José María Gallardo del Rey and dedicated to one of the living beings I’ve loved the most and who has given me the most love: “my little dog Triana.”
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Banderillas de Tiniebla – Gallardo del Rey
"Banderillas De Tiniebla" was a commission from my "brother," Master and mentor Félix Grande for the anniversary issue of "Cuadernos Hispanoamericanos" dedicated to Federico García Lorca in 1986.
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Fali, Love Theme – Gallardo del Rey
This piece is a dedication to my love for the seventh art and for those lyrical themes that appear in many of the films that have always fascinated me.
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Rosales – Gallardo del Rey
The work is dedicated to the distinguished Andalusian poet Luis Rosales, with a strong flamenco accent where the presence of "tientos" and "tangos" coexist in the rhythmic space.
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Asturias – Gallardo del Rey
The work composed by José María Gallardo del Rey is based on the Anthem of Asturias, upon which various variations are projected.
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Lorca Suite
Lorca Suite is my personal recreation of the popular songs that Lorca collected and published. In this work, I highlight the technical and expressive aspects of what I understand as the Spanish Guitar.
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Simple Suite
Simple Suite is a collection of five pieces: Prelude, Siciliana, Pavane, Copla in the form of Habanera, and Giga. These pieces aim to guide the guitarist and musician through different sound colours, always from a level of accessibility for all.
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California Suite
“California Suite” was my first work. It was from this piece that I officially debuted as a composer. It was a graduation gift from my “brother” Joseph Mastroianni, who came to Spain from California to study guitar. The piece clearly reflects influences from Bach, Rachmaninoff, and Broadway-style music.
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Fuego
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Trianeira
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Banderillas de Tiniebla – Gallardo del Rey
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Fali, Love Theme – Gallardo del Rey
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Rosales – Gallardo del Rey
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Asturias – Gallardo del Rey
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Lorca Suite
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Simple Suite
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California Suite
Studies
Guitar MethodsDiscover a dedicated space for in-depth study of the Spanish guitar, featuring the most significant methods and studies for concert guitar. Here, concert videos and tutorials will guide you step by step on your journey as a guitarist, led by José María Gallardo del Rey.
Adiós Nonino
Adiós Nonino, composed by Astor Piazzolla in 1959, is an iconic work of nuevo tango that beautifully merges emotion and virtuosity. It has become a fundamental piece in the concert guitar repertoire.
Milonga del Ángel
Milonga del Ángel, composed by Astor Piazzolla in 1965, is a melancholic and lyrical work that captures the expressive depth of nuevo tango. It is particularly esteemed in arrangements for solo guitar.
Chau Paris
2mins : 37seg
Astor Piazzolla
“Chau París” is one of the most emblematic compositions by the renowned Argentine composer and bandoneon player Astor Piazzolla, known for revolutionising traditional tango and elevating it to new heights within the realms of classical music and jazz.
Documentaries
Immerse yourself in the world of the Spanish guitar through the stories, experiences, and teachings of great masters. These documentaries inspire, evoke emotion, and connect you with the very essence of musical art from within.
Concierto de Aranjuez
21mins
Joaquín Rodrigo
The Concierto de Aranjuez, composed in 1939 by Joaquín Rodrigo (Sagunto, 1901 – Madrid, 1999), is the most renowned work in the concert repertoire for guitar. Divided into three movements, it is especially celebrated for its lyricism, particularly in the Adagio. The concerto artfully combines Spanish tradition with a neoclassical style, demanding exceptional expressiveness and technical mastery from the performer.
Preludio, Balletto y Giga en Mi Mayor
8mins : 16seg
Manuel Ponce
The Preludio, Balletto y Giga in E Major, composed in 1931 by Manuel M. Ponce (Fresnillo, 1882 – Mexico City, 1948), is a suite of three movements that pays homage to the baroque style. Influenced by his friendship with Andrés Segovia, Ponce skillfully recreates ancient forms while employing modern harmonic language. The Preludio showcases arpeggiated and lyrical writing; the Balletto evokes courtly dances with an elegant rhythm; and the Giga concludes with vivacity and precise articulation. This work requires both technical control and a deep understanding of style, making it ideal for guitarists who wish to explore the fusion of tradition and modernity.
California Suite
Gallardo del Rey
““California Suite” was my first work. It was from this piece that I officially debuted as a composer. It was a graduation gift from my “brother” Joseph Mastroianni, who came to Spain from California to study guitar. The piece clearly reflects influences from Bach, Rachmaninoff, and Broadway-style music.”
Spanish Romance
Gallardo del Rey
The “Romance Anónimo,” also known as “Spanish Romance” or “Jeux Interdits,” is an iconic piece of the guitar repertoire, with its authorship remaining a topic of debate. Although it has been attributed to composers such as Antonio Rubira, Fernando Sor, and Narciso Yepes, there are recordings predating 1900 that suggest its origins in the 19th century.In his new version, José María Gallardo del Rey delivers a refined interpretation, highlighting its expressive sensitivity and artistic depth. This adaptation offers a renewed perspective on the piece, enriching its legacy in Spanish guitar.
